Y House
Private Residence / 2011
Photograph by Hiroshi Mizusaki
Full renovation for one of the room of an old condo. The client, a couple who's been living here for long time, were looking for the house they can enjoy the rest of their lives. Carefully selected materials and details to make their wish come true, and aimed for high-quality space. As to its ceiling, without touching up its original historical concrete slab, refurbished everything else. All those materials will be aged beautifully as time goes by, and will be attractive day by day.
Photograph by Hiroshi Mizusaki
Full renovation for one of the room of an old condo. The client, a couple who's been living here for long time, were looking for the house they can enjoy the rest of their lives. Carefully selected materials and details to make their wish come true, and aimed for high-quality space. As to its ceiling, without touching up its original historical concrete slab, refurbished everything else. All those materials will be aged beautifully as time goes by, and will be attractive day by day.
古い集合住宅一室のフルリノベーション。クライアントは長年ここに住まわれてきたご夫婦で、終の住処を求められた。それに相応しい素材やディテールを吟味し、上質な空間を目指した。天井は建築竣工時からの歴史あるコンクリートスラブを補修すること無く現し、それ以下を一新。各々の素材は住まわれる年月を重ねるごとに熟成し、味わいを増すだろう。
Unagi
Office & Store / 2010
Photograph by Kozi Hayakawa
Reconstructing project of a traditional eel store established over 100 years ago in Yanagawa-city. This form is led by many restriction such as floor level gap by iterating reconstruction. Heavily burnt and carbonized cedar board on outside and inside wall, this is because of charcoals the artisans have used to grill eels for a long long time.
Photograph by Kozi Hayakawa
Reconstructing project of a traditional eel store established over 100 years ago in Yanagawa-city. This form is led by many restriction such as floor level gap by iterating reconstruction. Heavily burnt and carbonized cedar board on outside and inside wall, this is because of charcoals the artisans have used to grill eels for a long long time.
水郷・柳川市で創業100年を迎えた、伝統ある鰻卸店の改修。増改築を繰り返したことにより生じたフロアレベル差や他多数の制約から生まれた形。内外壁は杉板を炎で炙り炭化させた焼杉で覆い空間を構成した。これは鰻職人が激しい炎で一匹一匹手焼きする際に欠かせない炭に由来する。
Trent Vioro
Boutique / 2010
Photograph by Hiroshi Mizusaki
Boutique in VIORO in Tenjin Fukuoka. Client make me two contrary requests, one is open facade in order to invite guests and another is closed interior not to be seen from outside. As a solution, We constructed the closed shop like wrapped up that has a wide opened facade with a hanging diagonal wall to the opposite angle that also meets fire department's requirements in shopping mall. And this inclined facade wall crossing with elevator line made up a peculiar visual. The facade wall is covered with hundreds of copper sheets same size as the stone plates on the floor, Hundreds of copper sheets on the facade wall same size as the stone plates on the floor, gonna lose luster by touch of people who are interested in, and their color turns reddish-brown(It's only copper and bronze) by oxidation and corroding as time goes by. By reason that TRENT has established shops on streets by this time, I intend to create their brand image by using materials such as copper, stones, concrete blocks and scaffold just like other TRENT shops been done.
Photograph by Hiroshi Mizusaki
Boutique in VIORO in Tenjin Fukuoka. Client make me two contrary requests, one is open facade in order to invite guests and another is closed interior not to be seen from outside. As a solution, We constructed the closed shop like wrapped up that has a wide opened facade with a hanging diagonal wall to the opposite angle that also meets fire department's requirements in shopping mall. And this inclined facade wall crossing with elevator line made up a peculiar visual. The facade wall is covered with hundreds of copper sheets same size as the stone plates on the floor, Hundreds of copper sheets on the facade wall same size as the stone plates on the floor, gonna lose luster by touch of people who are interested in, and their color turns reddish-brown(It's only copper and bronze) by oxidation and corroding as time goes by. By reason that TRENT has established shops on streets by this time, I intend to create their brand image by using materials such as copper, stones, concrete blocks and scaffold just like other TRENT shops been done.
商業施設のブティック。クライアントからは人を引き込む開放的なファサードと、丁寧に接客するため外部からの視線が気にならない閉鎖的な店内という相反する要望を受けた。そこで幅のある間口に対し、商業施設では必須である防炎垂壁の存在を消しながら対角にある必然的な二点を結び、ある種フルオープンの特徴的なファサードを持ちながら、包まれるようにクローズされた店内をつくった。またこのファサードの傾斜は、共用廊下越しにあるエスカレーターの傾斜と交差し視覚的に特異なものとなる。そこには床の石と同サイズの銅板が一枚一枚貼られ、人々が手で触れる度に酸化・腐食することで光沢は徐々に鈍くなり、赤褐色へと銅ならではの変化をするであろう。またTRENTはこれまで路面中心に出店してきたセレクトショップで、従来通り外部で使われる素材を多用することでブランドをより強固にすること意識した。
Mochizuki
Grasses Store / 2009
Photograph by Hiroshi Mizusaki
Reconstructing project of optician's small store in front of elevated railway. Client's request is a non-daily and strange space. Functional element arranged to both ends, only glasses are seen through the old facade from outside. Walking through the tunnnel approach, selected glasses are displayed all over your sight. To make a beautiful contrast with various colored glasses, the space should be only a background. By changing the color of fluorescents that light up the street, the passengers are aware of the season in the nighttime.
Photograph by Hiroshi Mizusaki
Reconstructing project of optician's small store in front of elevated railway. Client's request is a non-daily and strange space. Functional element arranged to both ends, only glasses are seen through the old facade from outside. Walking through the tunnnel approach, selected glasses are displayed all over your sight. To make a beautiful contrast with various colored glasses, the space should be only a background. By changing the color of fluorescents that light up the street, the passengers are aware of the season in the nighttime.
高架下に位置する小さな老舗眼鏡店の改修。クライアントから求められたことは非日常的な異空間。そこで機能的な要素は両端に配置し、古き良き既存ファサードからは眼鏡の存在以外は一切見せず、中央に配置したトンネルのようなアプローチを抜けると選び抜かれた眼鏡が一面に広がる展示空間へ導かれる動線とした。また、色彩豊かな眼鏡が引立つよう、空間は背景となる余白に徹した。夜間は季節ごとに異なる灯りを街並に宿し、道行く人々に季節の変化を告げる。
Trent Ohashi
Boutique / 2009
Photograph by Hiroshi Mizusaki
Lady's boutique. Although the floor area is small, we focused on utilizing the area for common use next to entrance. Laying both area with turf works inside or outside, and using sashless glasses. The continuation of area is emphasized and felt bigger and wider.
Photograph by Hiroshi Mizusaki
Lady's boutique. Although the floor area is small, we focused on utilizing the area for common use next to entrance. Laying both area with turf works inside or outside, and using sashless glasses. The continuation of area is emphasized and felt bigger and wider.
レディースのブティック。この場所の特徴は、テナントスペースは狭いが外部に共用敷地があることだった。それを活かすべく床材には内外部に併用できる芝を敷き、それを隔てるファサードにはサッシュレスガラスを用いて連続性を強調することで空間に広がりをもたせた。
Trent Takamiya
Boutique / 2009
Photograph by Hiroshi Mizusaki
Boutique faces the heavy traffic road. Many cars representing changes and bustle are seen in this place, So we tried to bring the stillness quietly standing into a existence. By sticking various thick woods irregularly, we express the bark of a tree standing in a street.
Photograph by Hiroshi Mizusaki
Boutique faces the heavy traffic road. Many cars representing changes and bustle are seen in this place, So we tried to bring the stillness quietly standing into a existence. By sticking various thick woods irregularly, we express the bark of a tree standing in a street.
通量の多い路面に位置するアパレルストア。変遷と喧騒とも代弁できる自動車ばかりが目につくこの場所に静かに佇む樹のような存在を出現させることを試みた。そこで、厚みの違う数種類の無垢材をミックスさせ全体に乱貼りすることにより樹皮の質感を出し、街の中に佇む樹幹を表現した。
